Historical representations and conflicts about indigenous people as national identities

نویسندگان

  • Mario Carretero
  • Miriam Kriger
چکیده

The relation between history learning processes, in and out of school, and the construction of national identities is nowadays an increasingly important topic, being studied through the appropriation of historical narratives, which are frequently based on the official history of any nation state. In this paper, college students’ historical representations of their nation’s origin are studied. We compared specific quantitative answers about who the first inhabitants of Argentina were with more in depth qualitative answers about their nation’s political origin. In this respect, a conflict has been found in the way students present the official narrative. This conflict consists of maintaining that natives were the first national inhabitants, while most of the students think their nation was created in the 19th century. Different reactions to this are analyzed, particularly students’ efforts to justify this conflict and to find coherency in historical content which has been produced by school history teaching and other sources and consumed by college students. The most common justifications include cultural tools that conceal the violence historically suffered by the natives, and at the same time an unreal conciliation between natives’ rights and the interests of western founders of the national state. These tensions are considered in light of sociocultural discussions about the differences between production and consumption of historical narratives and their appropriation. We uphold that consumed historical narratives are based on an ontological and ahistorical concept of one’s own nation, which prevents understanding a possible counternarrative based on natives as historical agents.

برای دانلود رایگان متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Representations of the Name Rectification Movement of Taiwan Indigenous People: Through Whose Historical Lens?

Within the theoretical and methodological framework based on the conceptual metaphor theory, the discourse-historical approach, and corpus linguistics, this article examines the various representations of Taiwan indigenous people’s name rectification movement in three major broadsheet newspapers, the United Daily News, the Liberty Times, and the Apple Daily in Taiwan. Using two-tier analysis, w...

متن کامل

Mental Representations of Lyrical Prose

The article analyzes mental representations of Russian lyrical prose texts. The texts demonstrate collective memory engrams that are defined by cultural and historical legacy of the nation and authors’ creative world perception. In architectonics of a lyrical prose text, sense perception reveals itself in accumulated underlying meanings and wisdom conveyed by expressive means. The author’s inte...

متن کامل

Identity and Representation through Language in Ghana: The Postcolonial Self and the Other

Research related to colonialism and post colonialism shows how the identities of indigenous people were constructed and how these identities are reconstructed in our contemporary world. The thrust of this paper is that colonialism brought a shift in the linguistic structure of Ghana with the introduction of the use of English among Ghanaians. The coexistence of both Ghanaian languages and Engli...

متن کامل

Deductive Analysis of the TERM of Urban Vitality With Indigenous Vitality in historic background in Isfahan

Urban vitality is a new term in the specialized literature of urban planning. Despite numerous definitions of vitality by experts, These definitions are defined according to different aspects of vitality, equivalent to the socio-cultural characteristics of other countries. But vitality existed in cities before it became known in the urban literature and had different definitions in each culture...

متن کامل

Parallel Histories: A Comparative Study of Modern Art in the Works of Jalil Ziapur (Iran), Shakir Ali (Pakistan), Javad Salim (Iraq)

Comparative study of modern art in Iran, Iraq, and Pakistan explain aspects of indigenous in modern art. In this article we examine these questions: how did avant-garde artists in these countries attempt to find and match modern art with indigenous art? How did they experience indigenous modernities in art? In this article, by adopting a historical-comparative sociological approach, we analyze ...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2011